When writing a novel, how can a character be developed well, but QUICKLY?

“May! You’re home late! Early, I mean. Well, I mean, it’s early in the morning, but you’re home before I expected. Er, after. Before?”

“So you didn’t meet any cute boys at the club tonight?” Claire called as she bustled about the small kitchen.

“I’m just a fan of your catch and release program.”

What's an underrated/unknown novel or series that you think deserves more attention?

“Exactly.”

The agent had only one bad thing to say (the synopsis was crap; writing synopses is hard!), but praised the characterization and particularly how well we introduced a character’s personality quickly.

“Number one, it’s not porn, it’s ecchi, and number two, why would I waste a perfectly good Saturday doing anything else?” Claire pulled at her tea and sighed. “The only thing that could make this day better is if you'd come home with some cute boy, so that after you kicked him out tomorrow I could live vicariously through you.”

What would be the lowest score with 9 strikes and no gutter balls?

Here’s how we presented the character Claire when she was introduced, which the agent particularly singled out:

Create a context between this character and other characters.

“None of those either. Look upon the wasteland that is my sex life, and see that it is barren. Naught but a moggie followed me home.”

How can I stop overthinking and take action more quickly?

“About wearing more clothes? How am I supposed to catch any fish if I don’t show off the bait?”

Claire, one of May’s three flatmates, former university roommate, and best friend in all the world, shrugged expansively. “It’s a Saturday night. What else would I be doing?”

“You need some tea!”

What causes tension between liberals and conservatives? Is it purely based on ideological differences or are there other factors at play?

They both burst out laughing. “I’m right, though,” Claire went on.

“I try not to, but thank you for reminding me. I know I don’t need a cat. I don’t want a cat. What would I do with a cat?”

“Yes way. It’s washing itself under the street light. Uh-oh, I think it spotted me. It knows I’m watching it. I swear it’s looking at me.”

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“I’m glad my sex life is so entertaining.”

Engaging in conversation that also shows something about their intelligence, personality, wit (or lack thereof); and

“It’s a cat. All cats are weird.” May sipped from her mug, inhaling the warmth. She closed her eyes. The room spun. She opened them again. “Ugh. I think I drank too much.”

How can I move on from my ex?

After Eunice and I finished London Under Veil, I entered the first chapter in a contest at a convention where you could submit something and have it critiqued by a professional book agent.

“Fine.” May collapsed into the warm spot Claire had just vacated.

“Yuuna and the Haunted Hot Springs!” Claire turned the book around.

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“Damn straight. So get to it! This time next week, I want to hear some moans coming through that wall.”

May yelped. “Hey! Your feet are cold!”

“They are! He broke the rules of the boarding house by petting this character while she was in cat form, so they invoke the ancient rules of single combat via ping-pong, and—”

How can people balance religious beliefs with seeking professional mental health care?

Essentially, what you do is show the character:

“Nope, I mean a cat followed me home. A black cat, to be exact. All the way from the club. Probably still out there, for all I know.”

“No, about the cat. You don’t need a cat. You remember what happened to your spider plant, right?”

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“Claire, I—”

May studied the black and white comic panels. “Oh, my. She looks…anatomically implausible. What is she doing to that poor man? Wait, are those cat ears?”

“I know! That’s why I’m putting them under you!”

How can I watch porn on TikTok?

“Tart!”

“Cute girls?”

“Exactly.”

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In the kitchen, Claire set out a battered pair of mugs: May’s black, with “PEBKAC: Problem Exists Between Keyboard and Chair” in white letters; Claire’s white, with “This must be Thursday. I never could get the hang of Thursdays” in dark blue. She carried both mugs into the living room. “A moggie followed you home? Is this some weird Internet slang I’m not current on?”

“From the look of you, if you try to sleep now, you’ll spend the next three hours hanging onto your bed trying to stop the world spinning. Since you’re not going to sleep anyway, you might as well keep me company.”

“Perv.”

Why do you think it is bad to allow people to self-identify as a different gender?

“Hang on, are they playing ping-pong?”

“Well, maybe if you didn’t spend all day reading—” May prodded the book with its garishly-coloured cover with her foot. “Bizarre comic book porn…”

“Nary a cute boy in sight.”

Hello, I have a question about astral projection. I started to get interested in this a little while after my mum passed in april. I thought I may be able to see her and speak with her if I managed to achieve astral projection. Since this interest, every time i sleep on my back I go into sleep paralysis. However, I cant progress into astral projection because it is very scary for me as I feel like I'm suffocating when this happens. I panic and force myself to wake up. This only ever happened about once a year before this. It sometimes lasts a long time. This has happened about 3 times per week since my mum died, as mentioned on a previous post. I no longer try to go into it anymore(due to the suffocating feeling), but it still happens. I read that sleep paralysis is the pathway to astral projection. Why has this started to happen so frequently since simply taking an interest in it? Is this connected to the afterlife? I am concerned about it as I now cannot seem to stop this happening. Could it be my mum trying to communicate? Im asking due to more knowledge around this in this group.

“I don’t know. Partying. Going to a pub. Anything besides sitting on the couch reading…” She squinted. “What the hell are you reading?”

“You don’t need a cat. You can’t take care of a cat. You can’t take care of a ficus.” Claire flopped on the other side of the sofa and wriggled her feet beneath May.

Claire sat back down, legs tucked elegantly beneath her. “You are looking a bit sloppy,” she said, inspecting May through narrowed eyes.

“You know what? Never mind,” May said. “I am way, way too drunk to be having this conversation.”

“No way.”

“I need to do laundry.”

May pushed Claire’s feet away. Claire rose to peer out the window. “Huh. It’s still there.”

“Why is that always your first suggestion? I do not need some tea. It’s three o’clock in the morning! If I have tea, I’ll never get to sleep.”

“Yep!” Claire chirped. “There’s this schoolboy, see, and he’s homeless, so he lives in this boarding house that used to be a hot springs bathhouse, which is cheap because it’s haunted, so he decides—”

“Well, maybe if you’d wear more clothes, they wouldn’t feel so cold. Hussy!”

Do that and you can ground your characters quite quickly.

Doing something they enjoy, that expresses their personality, and that is in some way unusual or noteworthy;

“I’ll put the kettle on.”

“Thanks. You’re looking pretty ratty yourself. Have you been in that bathrobe all day?”

“I’m serious!” Claire said. “It’s staring straight at me.” She let the curtain fall. “Weird.”

“But they’re cold!”

“Claire! Why are you still up?”

“It’s not looking at you.”